Catherine Zeta-Jones (Catherine Zeta Jones) was entered into the world at the place of Swansea, United Kingdom on 25 September, 1969 . However, by profession, she is an Actress. Find Catherine Zeta-Jones’s Net worth Biography, Age, Height, Physical Stats, Dating/Affairs, Family and profession refreshes. Figure out how rich would she say in this year and how she uses all of her net worth? Additionally, figure out how she procured the majority of her net worth at 51 years old?
||Catherine Zeta Jones
||52 years old
||25 September 1969
||Swansea, United Kingdom
In order to check the total rundown of Famous People brought into the world on 25 September, we prescribe you later. With the age of 52 years ancient bunch, this well-known celebrity is an individual from the renowned Actress.
Catherine Zeta-Jones Height, Weight & Measurements
At the present time by the age of 52 years, the height of Catherine Zeta-Jones is 5′ 7″. As soon as could really be expected, we will refresh Catherine Zeta-Jones Height, weight, Body Measurements, Eye Color, Hair Color, Shoe, and Dress size.
Who Is Catherine Zeta-Jones’s Husband?
Her husband is Michael Douglas (m. 2000)
||Michael Douglas (m. 2000)
||Carys Zeta Douglas, Dylan Michael Douglas
Catherine Zeta-Jones Net Worth
Presently, She is single by marital status. Moreover, she is dating nobody. Further, about Catherine Zeta-Jones past relationship and any earlier connection, we do not have a lot of data. As per our Database, she has no offspring.
|Net Worth in 2022
||$1 Million – $5 Million
|Salary in 2021
|Net Worth in 2020
|Salary in 2020
|Source of Income
Catherine Zeta-Jones Social Network
In 2018, Zeta-Jones starred as the drug lord Griselda Blanco in the Lifetime television film Cocaine Godmother. Despite her character’s misdeeds, she was drawn to her character’s fortitude and ability to stand out in a male-dominated business.
Writing for IndieWire, Hanh Nguyen criticised the decision to cast Zeta-Jones in the part of a Latino woman, adding that “she’s not just unconvincing; she’s outlandish”. She was later nominated as Best Actress in a Television Movie at the Women’s Image Awards.
She next played the lead role of Vicki Ellis, an unrelenting pageant coach, in the Facebook Watch comedy-drama series Queen America. To play a character who has bulimia, she drew on her teenage experiences of interacting with dancers who suffered from eating disorders.
In a positive review, Jen Chaney of Vulture wrote that “Zeta-Jones is always at her best when she’s fiery, and this part gives her plenty of opportunities to shift into beast mode”.
Zeta-Jones returned to television in 2017 by portraying the actress Olivia de Havilland in the first season of Ryan Murphy’s anthology drama series Feud, subtitled Bette and Joan, about the rivalry between the actresses Joan Crawford and Bette Davis (played by Jessica Lange and Susan Sarandon, respectively).
Dominic Patten of Deadline Hollywood found Zeta-Jones to be “wonderfully cast” and Sonia Saraiya of Variety praised her for providing “the best turn in the show”. Displeased with an “unauthorized use of her name and identity” in the series, de Havilland, at 101 years old, sued the network and producers of Feud for invasion of privacy and other personality rights.
The lawsuit was later dismissed by a California appellate court.
Following Red 2, Zeta-Jones took another sabbatical from acting, saying: “If I’m going to leave my family for any length of time it had better be for a role that I haven’t played before, [otherwise] I would prefer to stay at home”. She found the role opposite Bill Nighy and Toby Jones in the British war comedy film Dad’s Army (2016), based on the television sitcom of the same name.
She was cast as a glamorous journalist reporting on a British Home Guard platoon based in Walmington-on-Sea. Catherine Bray of Variety found the film to be an “amiable but creaky resurrection” of the popular sitcom, and thought that while Zeta-Jones “hits the required single note with some spirit” she was “generally underused” in it.
Zeta-Jones’s films that have earned the most at the box office, as of 2016, include:
In 2013, Zeta-Jones took on a leading role in the crime thriller Broken City, co-starring Mark Wahlberg and Russell Crowe. The film tells the story of a private detective (Wahlberg) who is hired by the mayor of New York (Crowe) to spy on his wife (Zeta-Jones). Todd McCarthy of The Hollywood Reporter thought that Zeta-Jones “looks like class itself and nicely underplays”, and Liam Lacey of The Globe and Mail observed that the actress “does a fair, if incongruous, impersonation of a forties vamp”. However, as with Zeta-Jones’s previous few projects, the film was not widely seen, and received poor reviews.
This changed when Zeta-Jones collaborated with Soderbergh for the third time to film the critically acclaimed thriller Side Effects (2013). Co-starring with Channing Tatum, Jude Law and Rooney Mara, the film saw her play a mysterious psychiatrist who recommends an antidepressant drug with serious side effects. Peter Travers found the film to be a “hell of a thriller, twisty, terrific and packed with surprises” and considered Zeta-Jones to be “dynamite” in it.
In the action-comedy film Red 2 (2013), which served as a sequel to the 2010 film Red, Zeta-Jones played a seductive Russian double agent, alongside Bruce Willis, Helen Mirren, and Mary-Louise Parker. She was drawn to the project, which follows the comic adventures of retired spies, for “the action, the humor, [and] the tongue-in-cheek quality of it”. Writing for The Hollywood Reporter, Justin Lowe remarked that Zeta-Jones “nicely pulls off Russian spy Katja’s mix of allure and menace”, and with a worldwide gross of US$148 million, Red 2 emerged as her most widely seen film since No Reservations.
Following a three-year sabbatical from acting, Zeta-Jones made her screen comeback in Lay the Favorite (2012), a comedy co-starring Bruce Willis and Rebecca Hall, in which she played the jealous wife of a gambler (Willis). Reviews for the film were negative, and the critic Betsy Sharkey of the Los Angeles Times found Zeta-Jones to be “far too shrill to amuse”. In the ensemble musical comedy Rock of Ages, co-starring Tom Cruise and Bryan Cranston, Zeta-Jones played the part of a religiously conservative wife of a mayor.
She was attracted to the idea of playing a “nightmare of a woman” and based the role on the politician Michele Bachmann; the film received mixed reviews and failed commercially. Her final release of 2012 was Playing for Keeps, a romantic comedy with Gerard Butler, which proved to be her third box office failure of the year.
Zeta-Jones is the recipient of several accolades, including an Academy Award, a British Academy Film Award and a Tony Award, and in 2010, she was appointed Commander of the Order of the British Empire (CBE) for her film and humanitarian endeavours. She supports various charities and causes, and is a prominent celebrity endorser of brands. Her struggle with depression and bipolar II disorder has been well documented by the media. She is married to American actor Michael Douglas, with whom she has two children.
The journalist Sheila Johnston of The Daily Telegraph, in 2010, described Zeta-Jones as “the ultimate self-made success” who “constantly made bold decisions, and scrubbed up very nicely into a luscious star who radiates a classic […] brand of big-screen glamour.” Guy Adams of The Independent considers her personality to be “self-effacing and energetic” but takes note of her “steely core” in her off-screen persona. Zeta-Jones’s success in her early Hollywood films The Mask of Zorro (1998) and Entrapment (1999) relied predominantly on her sex appeal, but she was later appreciated for her versatility.
Following No Reservations, Zeta-Jones significantly decreased her workload in the next five years. She instead chose to focus on her family and health, having been diagnosed with bipolar II disorder, and her infrequent acting appearances were in smaller-scale and less successful productions. She took on the role of a 40-year-old mother attracted to a younger man (Justin Bartha) in the romantic comedy The Rebound.
The production was released theatrically in markets outside of the United States in 2009–10, but due to financial troubles of its distributor, The Film Development, the film failed to release theatrically in America.
Zeta-Jones returned to stage in 2009 with a revival of the musical A Little Night Music, which marked her Broadway debut. Set in Sweden during the early twentieth century, the musical follows the relationships between three people (Zeta-Jones, Angela Lansbury and Alexander Hanson) during the course of a summer. She played Desirée Armfeldt, an ageing actress, and was particularly drawn to the complexities of the musical, saying,
“There’s no jazzy hands, no high kicks, no fishnet stockings, … It’s not one of those shows where you can dig about three inches and come out the other end. You can keep digging and digging and digging”. She did not listen to past recordings of the songs in the play so she could bring her own interpretation to them. The critic Claire Prentice of The Daily Telegraph wrote that Zeta-Jones brought in a “quiet, reflective poignancy” in her rendition of the song “Send in the Clowns”, but Emma Brocks of The Guardian was more critical, remarking that “with her pretty voice, head wresting this way and that, [she] seems to be auditioning for stage school”. For her performance, Zeta-Jones won the Drama Desk Award for Outstanding Actress in a Musical and the Tony Award for Best Actress in a Musical.
In 2007, Zeta-Jones starred alongside Aaron Eckhart and Abigail Breslin in the romantic comedy No Reservations, a remake of the German film Mostly Martha (2001). No Reservations tells the story of an ambitious chef (Zeta-Jones) whose life changes for the better when she takes in her young niece (Breslin) after her sister’s death.
In preparation for her part, Zeta-Jones worked in the kitchen and waited on tables at New York’s Fiamma Osteria restaurant. Claudia Puig of USA Today thought that Zeta-Jones “shines as a character that finely balances off-putting reserve with sympathetic appeal”, and Roger Ebert, despite disliking the film, found her “convincing” in her role. With a global gross of US$92 million, the film marked Zeta-Jones’s final commercial success of the decade.
Zeta-Jones’s career graph and marriage to Douglas have been a subject of satire. A 2006 episode of the satirical British television show Star Stories (2006–2008) was entitled Catherine Zeta-Jones—Her Quest to Prove Herself … And Also Find Love, about a fictitious life story of Zeta-Jones. Addressing her perceived media image, Zeta-Jones remarked in a 2004 interview to USA Weekend: “The biggest misconception of me is that I’m some die-hard, ambitious, do-anything-to-get-anything kind of person, I’m not. I’m very shy socially.”
Zeta-Jones is protective of her public image, and the use of her likeness is carefully controlled. As well as taking legal action against Hello! magazine, she sued a Nevada-based topless club for including her image on their advertising. In 2003, the celebrity biographer Cliff Goodwin wrote an unauthorised biography of the actress, entitled Catherine Zeta Jones: The Biography, but the publication was indefinitely postponed after her lawyers issued threats of legal action against both Goodwin and his publisher.
The Legend of Zorro (2005), a sequel to The Mask of Zorro, saw Zeta-Jones reprise her role of Eléna opposite Banderas. Set 10 years after the first film, the sequel follows Eléna struggling with married life. Unlike the original, the film was disliked by critics and was a commercial disappointment. She did not have any film releases in 2006.
A biopic of Harry Houdini, entitled Death Defying Acts (2007), starring Guy Pearce as the escapologist Houdini, featured Zeta-Jones as a Scottish con artist who claims psychic powers. The unsuccessful production was given only a limited theatrical release.
In 2004, Spielberg approached her to play an insecure air hostess in his comedy The Terminal, a film about a man (Tom Hanks) who is trapped at the JFK International Airport when he is denied entry into the United States. Spielberg was intent on her playing against type as a strong-willed woman, with a vulnerability in her character, but the critic A. O. Scott felt that it came across as using her for “her looks rather than for the arch, self-mocking wit that is her secret weapon as a comic actress”. Commercially, The Terminal performed well.
She next worked with Soderbergh to film Ocean’s Twelve, a sequel to his heist film Ocean’s Eleven (2001), which also reunited her with stars Clooney, Pitt, and Roberts. The production, which was filmed in several European countries, saw Zeta-Jones play Isabel Lahiri, a Europol agent, and the love interest of Pitt’s character. Paul Clinton of CNN noted that her sex appeal benefited the film. Conversely, Ken Tucker of New York magazine argued that her character was redundant to the film’s plot. Despite dividing critics, the sequel earned over US$360 million globally.
Following the success of Chicago, Zeta-Jones voiced the part of Princess Marina in Sinbad: Legend of the Seven Seas (2003), an animated film featuring Brad Pitt as the voice of Sinbad the Sailor. She was drawn to the project to give her young children an opportunity to “hear [her] and get a sense of [her] on film”, although the film proved to be a box office bomb. Also in 2003, Zeta-Jones starred alongside George Clooney in the Coen Brothers’ black comedy Intolerable Cruelty.
A commercial success, the film saw her play the role of a serial divorcée who is drawn towards a divorce attorney (Clooney). Writing for Empire magazine, the critic Damon Wise labelled the film a “dazzling screwball comedy” and felt that Zeta-Jones showed “an admirable facility for old-school quickfire patter”. Other reviewers praised her onscreen chemistry with Clooney.
Zeta-Jones has featured as an advertising spokeswoman for several brands and products. She was named the global ambassador for the cosmetics company Elizabeth Arden, Inc. in 2002. Also that year, she was signed on by the phone company T-Mobile for an estimated US$10 million per year, making her the highest-paid celebrity endorser at the time.
In 2017, Zeta-Jones launched her own line of home decoration products named Casa Zeta-Jones. Also that year, she featured in a theatrical production of The Children’s Monologues, in which she performed a monologue as a mathematically inclined young girl. The event raised funds for Dramatic Need, a charity that helps African children pursue a career in the arts.
For her role in Chicago (2002), Zeta-Jones was awarded the Academy Award, Screen Actors Guild Award, and BAFTA Award for Best Supporting Actress. She has received two Golden Globe Award nominations: Best Supporting Actress for Traffic (2000) and Best Actress in a Comedy or Musical for Chicago (2002).
The romantic comedy America’s Sweethearts was Zeta-Jones’s sole film project of 2001. She starred as a shrewd movie star, opposite Julia Roberts who featured as her character’s under-confident sibling. The critic Roger Ebert compared the film unfavourably to the musical Singin’ in the Rain (1952), but thought that Zeta-Jones was aptly “chilly and manipulative” in her part.
The following year, Zeta-Jones starred alongside Renée Zellweger as the murderous nightclub singer Velma Kelly in Chicago (2002), a film adaptation of the Broadway musical of the same name from the director Rob Marshall. She based her character’s look and mannerisms on the actress Louise Brooks, and as the script did not provide a backstory to Kelly, she worked to convey her character’s “flamboyance” and “desperation” through “little looks and nuances”.
The film and her performance received critical acclaim. William Arnold of the Seattle Post-Intelligencer felt that the actress made “a wonderfully statuesque and bitchy saloon goddess”, and David Edelstein of Slate magazine wrote that she has “a smoldering confidence that takes your mind off her not-always-fluid dancing – although she’s a perfectly fine hoofer, with majestic limbs and a commanding cleavage” and particularly praised her rendition of the song “All That Jazz”. Chicago earned US$306 million worldwide, and was the recipient of the Academy Award for Best Picture.
For her performance, Zeta-Jones won the Academy Award, SAG Award, and the BAFTA Award for Best Supporting Actress, among other awards and nominations.
In addition to her acting career, Zeta-Jones supports various charities and causes. She is a patron of Swansea’s Longfields Day Centre for the disabled, and has made sizeable donations to the centre. In 2001, she auctioned an outfit she wore in The Mask of Zorro (1998) to raise funds for AIDS patients in Africa. In 2005, she became the ambassador of the National Society for the Prevention of Cruelty to Children charity, and launched the Full Stop appeal in Wales to raise awareness on child abuse.
She has also given her support to other charitable organisations for children such as the International Centre for Missing & Exploited Children and the Noah’s Ark Appeal, among others. Zeta-Jones is also the founding host for A Fine Romance, an annual charitable program that helps raise funds for the Motion Picture & Television Fund, and is one of the members of the Cinema for Peace Foundation.
After taking the supporting part of star John Cusack’s former romantic interest in the comedy-drama High Fidelity (2000), Zeta-Jones starred in Steven Soderbergh’s Traffic (2000). In the ensemble thriller on drug abuse starring Michael Douglas and Benicio del Toro, she played Helena Ayala, the pregnant wife of a drug lord who takes over the business when her husband is arrested. Initially written by Soderbergh as a mother of two, he changed the part to that of a pregnant woman on Zeta-Jones’s suggestion, to accommodate her own pregnancy.
Highly profitable at the box office and critically acclaimed, Traffic was described by the Dallas Observer as “a remarkable achievement in filmmaking, a beautiful and brutal work”. Edward Guthman of the San Francisco Chronicle found Zeta-Jones to be a standout among the ensemble and labelled her “sensational” in a scene in which she confronts a Tijuana dealer, adding that “through sheer conviction, she electrifies a moment that could have been absurd”. The ensemble of Traffic won the SAG Award for Outstanding Cast and Zeta-Jones was nominated for the Golden Globe Award for Best Supporting Actress.
Douglas and Zeta-Jones have two children: a son, Dylan Michael (born August 2000), and a daughter, Carys Zeta (born April 2003). The family lived in Bermuda until 2009, and as of 2016, live in rural New York State. In 2010, Douglas was diagnosed with tongue cancer, and Zeta-Jones faced an emotionally turbulent time; she said, “When you get sideswiped like that [with the illness] it’s an obvious trigger for your balance to be a little bit off – not sleeping, worry, stress.”
This trigger led to Zeta-Jones suffering from depression, and despite initial apprehension, she spoke publicly about suffering from bipolar II disorder. She sought treatment by checking herself into hospital in 2011, and again in 2013. Owing to the stress of both their illnesses, the couple decided to live separately in 2013, though without taking legal action towards separation or divorce. They reconciled in 2014, with Douglas stating that they were “stronger than ever”.
Zeta-Jones’s first release of 1999 was the heist film Entrapment, in which she starred opposite Sean Connery as a seductive insurance agent on the lookout for an art thief. Despite a negative critical reception, the film was a commercial success; Janet Maslin of The New York Times thought that the film provided Zeta-Jones a platform to “show off her slithery skills”, and Desson Howe of The Washington Post called on viewers to appreciate the sex appeal she brought to the role.
Later that year, Zeta-Jones appeared alongside Liam Neeson and Lili Taylor in The Haunting, a remake of the 1963 film of the same name about a team of paranormal experts who look into strange occurrences in an ill-fated mansion. The horror feature received generally poor reviews but found a significant worldwide audience. In a scathing review, the critic Mick LaSalle wrote that “Zeta-Jones seems less an actress and more a pretty face, and not an interesting one at that”.
Zeta-Jones met actor Michael Douglas, with whom she shares her birthday and who is 25 years her senior, at the Deauville Film Festival in France in August 1998, after being introduced by Danny DeVito. They got engaged on 31 December 1999, and were married at the Plaza Hotel in New York on 18 November 2000 after Douglas’ divorce was finalised. The high-profile ceremony, which cost an estimated £1.5 million, was labelled as the “wedding of the year” by the BBC. The couple signed a £1 million deal with OK! magazine to release pictures of the event, and the rest of the press were not permitted to enter. Despite this, journalists of Hello! magazine surreptitiously took pictures of the ceremony, and the couple successfully sued the magazine for invasion of privacy.
Zeta-Jones established herself in Hollywood with roles that highlighted her sex appeal, such as in the action film The Mask of Zorro (1998) and the heist film Entrapment (1999). She received acclaim for her performances as a vengeful pregnant woman in Traffic (2000) and a murderous singer in the musical Chicago (2002); for the latter she won Academy and BAFTA Awards for Best Supporting Actress. She starred in high-profile films for much of the decade, including the black comedy Intolerable Cruelty (2003), the heist film Ocean’s Twelve (2004), the comedy The Terminal (2004), and the romantic comedy No Reservations (2007).
Parts in smaller-scale features were followed by a decrease in workload, during which she returned to stage and played an ageing actress in A Little Night Music (2009), winning a Tony Award. Zeta-Jones continued to work intermittently in the 2010s, starring in the films Side Effects (2013) and Red 2 (2013), as well as the television miniseries Feud (2017), in which she portrayed Olivia de Havilland.
Steven Spielberg took notice of Zeta-Jones in Titanic and recommended her to Martin Campbell, who was directing The Mask of Zorro (1998) for Spielberg’s production company. Campbell cast her as the leading lady instead of Izabella Scorupco, who was his original choice for the part. Co-starring Anthony Hopkins and Antonio Banderas, the film tells the story of Zorro (Hopkins), a Spanish warrior (the film is set in Old California) who sets out to avenge the death of his wife and find his lost daughter Elena (Zeta-Jones). She found similarities between her “volatile” Celtic personality and her Latin character’s temperament, and in preparation she studied dancing, riding and sword-fighting, and took diction lessons in Spanish.
Filming the action and dance sequences while wearing heavy corsets in the dry Mexican desert proved to be a challenge for Zeta-Jones, but she found the experience “worth suffering for”. The Mask of Zorro was positively received by the critics and earned over US$250 million worldwide. The role proved to be a breakthrough for her and she was nominated for the MTV Movie Award for Best Breakthrough Performance.
Zeta-Jones’s beauty and sex appeal have been described by several sources, including People magazine, who ranked her first in their listing of the “Most Beautiful People” in 1998. She continued to feature in the list from 2000–04. In 2003, the magazine Esquire labelled her the most beautiful woman on the planet. In 2011, she was named the most beautiful British woman by a poll conducted by the television network QVC. She was appointed Commander of the Order of the British Empire (CBE) by the Monarchy of the United Kingdom in 2010 for her film and charity work. In 2019, she was honoured with the Freedom of the City of Swansea.
Dismayed at being typecast as the token pretty girl in British films, Zeta-Jones relocated to Los Angeles. She remarked, “There was all this fuss about who I was and wasn’t dating. I was a pretty face and a big bust and nothing else. People in the business believed what they read about me. So I decided to move away and start again.” She believed that the anonymity she faced in America helped her get roles on merit and not due to her public image.
She earned the part of Sala, the hench-woman to the villainous Drax (Treat Williams) in the superhero film The Phantom (1996), starring Billy Zane in the titular role. A reviewer for Variety considered Zeta-Jones to be a standout in her part, but the film received a negative critical reception and earned little at the box office.
The CBS television miniseries Titanic (1996), however, was better received. Starring opposite Peter Gallagher and George C. Scott, she portrayed the lead role of Isabella Paradine, a young mother engaged in an extramarital affair on the RMS Titanic.
Following a brief appearance as Beatriz Enríquez de Arana in the unsuccessful adventure film Christopher Columbus: The Discovery (1992), Zeta-Jones featured as a belly dancer in disguise in a 1992 episode of George Lucas’ television series The Young Indiana Jones Chronicles. She next took on the part of an aspiring duchess in Splitting Heirs (1993), a farcical period drama from the director Robert Young about two children (Eric Idle and Rick Moranis) who are separated at birth. Reviews for the film were negative, though the critic Vincent Canby of The New York Times found her to be “very funny”.
In 1994, Zeta-Jones played the melancholic Eustacia Vye in the television film The Return of the Native, an adaptation of the novel of the same name (1878) by Thomas Hardy, and the wife of Lloyd Owen’s character in the television war drama The Cinder Path. She was then cast as the eponymous protagonist of the 1995 television biopic Catherine the Great. In a mixed review, critic Lisa Nesselson of Variety found the miniseries to be “brightly colored” but “wooden and hollow”, though thought that Zeta-Jones “imparts a certain grace and resolve to her sovereign-in-the-making”. Zeta-Jones next starred as the pragmatic girlfriend of Sean Pertwee’s character in Blue Juice (1995), publicised as Britain’s first surf film, which the critic Leonard Maltin described as a “superficial and predictable” production.