Sandy Powell

Sandy Powell

Sandy Powell has entered the world at the place of Rotherham, Yorkshire, England, UK  on 30 January, 1900 . However, by profession, she is an actress, composer writer and soundtrack. Find Sandy Powell’s net worth, Biography, Age, Height, Physical Stats, Dating/Affairs, Family, and professional refreshes. Figure out how rich would she say in this year and how she uses all of her net worth? Additionally, figure out how she procured the majority of her net worth at 82 years old?

Popular As Albert Arthur Powell
Occupation actor,writer,soundtrack
Age 82 years old
Zodiac Sign Aquarius
Born 30 January 1900
Birthday 30 January
Birthplace Rotherham, Yorkshire, England, UK
Date of death 26 June, 1982
Died Place Eastbourne, Sussex, England, UK
Nationality UK

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Sandy Powell Height, Weight & Measurements

At the present time by the age of 82 years, the height of Sandy Powel is not accessible. As soon as could really be expected, we will refresh Maria Carta’s Height, Weight, Body Measurements, Eye Color, Hair Color, Shoe, and Dress size.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Sandy Powell’s Wife?

His wife is Kay White (1951 – 26 June 1982) ( his death), Katie Hughes (1944 – 1946) ( her death), Peggy Whitty (1929 – ?) ( divorced) ( 2 children)

Parents Not Available
Wife Kay White (1951 – 26 June 1982) ( his death), Katie Hughes (1944 – 1946) ( her death), Peggy Whitty (1929 – ?) ( divorced) ( 2 children)
Sibling Not Available
Children Not Available

Sandy Powell Net Worth

In the years 2021 to 2022, Sandy Powell net worth of his has been developing expressively. Anyway, how much is Sandy Powell worth at 82 years old? The pay source of Sandy Powell is generally from being an efficacious successful Actor. By belonging, he is from the United kingdom. The total net worth, cash, compensation, pay, and resources of Sandy Powell, we have evaluated all of these.

Sandy Powell Social Network




In 2020, Powell received her 15th Oscar nomination in her seventh collaboration with Martin Scorsese in his epic crime film The Irishman, for which she shared the nomination with her co-designer, Christopher Peterson. At the same year, Powell collected many stars’ signatures on a white suit in a widely publicized tour of 2020 awards ceremonies, including the 92nd Academy Awards and 73rd British Academy Film Awards, to be auctioned to raise funds for the preservation of director Derek Jarman’s home, Prospect Cottage.

In 2019, Powell garnered her third dual nominations at the 91st Academy Awards for her works in Yorgos Lanthimos’ The Favourite and Rob Marshall’s Mary Poppins Returns, making her the most nominated costume designer in Academy Awards history after Edith Head.

In 2016, Powell received her second dual nominations at the 88th Academy Awards, having been recognized for her works in Kenneth Branagh’s Disney live-action adaptation of Cinderella and Todd Haynes’ Carol.


Powell was appointed Officer of the Order of the British Empire (OBE) in the 2011 New Year Honours for her services to the film industry.


In 2010, Powell won her third costume design Oscar for her work in the film The Young Victoria.


Powell received dual nominations at the 71st Academy Awards for her two 1998 films, Velvet Goldmine and Shakespeare in Love. Echoing the contemporary tone of Shakespeare in Love, Powell opted to sacrifice historical accuracy in her costume designs but still managed to achieve “emotional accuracy”, according to Salon critic Stephanie Zacharek. The detail on the costumes of Gwyneth Paltrow’s Viola and the thematic significance of her costume changes were also noted as highlights of the film. For her work in the film, Powell won her first Academy Award for Best Costume Design.


In 1992, Powell achieved prominence in the period drama film Orlando, directed by Sally Potter. Operating on a limited budget, Powell created elaborate costumes for the gender-switching and time-traveling protagonist (played by Tilda Swinton), for which she received her first Academy Award nomination for Best Costume Design. Powell also began a collaboration with director Neil Jordan, which would produce a total of five films including The Crying Game (1992), Interview with the Vampire (1994) and Michael Collins (1996).


After leaving Central, Powell began a working relationship with dancer and choreographer Lindsay Kemp, whom she greatly admired. She designed costumes for his productions, the first of which was the show Nijinsky at La Scala in Milan. In the early 1980s, Powell became acquainted with filmmaker Derek Jarman, who became a mentor and an influential figure in her life. Following Jarman’s advice, she spent a year working on music videos. She made her entry into the film industry in 1986, designing costumes for the Jarman film Caravaggio.

See also  James Durkin

Powell attended Sydenham High School, and in 1978 she completed an art foundation course at Saint Martin’s School of Art, where she became acquainted with Lea Anderson, who later became a dancer and choreographer as well as Powell’s collaborator. In 1979, Powell began a BA in theatre design at the Central School of Art and Design, but left after two years before completing her degree and started working for fringe theatre companies.


Sandy Powell OBE (born 7 April 1960) is a British costume designer. She has been nominated for the Academy Award for Best Costume Design fifteen times, winning three awards for the films Shakespeare in Love (1998), The Aviator (2004), and The Young Victoria (2009). She has also received fifteen BAFTA Award nominations, winning for Velvet Goldmine (1998), The Young Victoria, and The Favourite (2018). Powell has been a frequent collaborator with directors Martin Scorsese and Todd Haynes, having designed the costumes for seven of Scorsese’s films and four of Haynes’s.

Powell was born in London in 1960, and grew up in Brixton and Clapham. Her father worked in casinos, while her mother was a secretary. Powell learned to sew from her mother on a Singer sewing machine, drew pictures of clothes, designed and made outfits for her dolls, and started making her own clothes from a young age. She also developed an interest in film and theatre from an early age.

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