Roger Guérin

Roger Guérin

Roger Guérin was entered into the world at the place of Montréal, Québec, Canada,on 12 September, 1955. However, by profession, he is a Sound Department, Music Department. Find Craig Haffner’s net worth, Biography, Age, Height, Physical Stats, Dating/Affairs, Family and profession refreshes. Figure out how rich would he say in this year and how he uses all of his net worth? Additionally, figure out how he procured the majority of his net worth at 66 years old?

Popular As N/A
Occupation sound_department,music_department
Age 66 years old
Zodiac Sign Virgo
Born 12 September 1955
Birthday 12 September
Birthplace Montréal, Québec, Canada
Nationality Canada

In order to check the total rundown of Famous People brought into the world on 12 September we prescribe you later. With the age of 66 years ancient bunch, this well-known celebrity is an individual from the renowned Sound Department.

Roger Guérin Height, Weight & Measurements

At 66 years old, Roger Guérin height is 5′ 11″ (1.8 m) .

Physical Status
Height 5′ 11″ (1.8 m)
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Roger Guérin’s Wife?

His wife is Anne-Marie Tougas (7 October 2004 – ?) ( divorced)

Parents Not Available
Wife Anne-Marie Tougas (7 October 2004 – ?) ( divorced)
Sibling Not Available
Children Not Available

Roger Guérin Net Worth

In the years 2021 to 2022, Roger Guérin”s net worth of his he has been developing expressively. Anyway, how much is Roger Guérin worth at 66 years old? The pay source of Roger Guérin is generally from being an efficacious Sound Department. By belonging, he is from the Canada. The total net worth, cash, compensation, pay, and resources of Roger Guérin, we have evaluated all of these.

Roger Guérin Social Network



Mixer to the Oscar nominated Nibbles (2003) Roger Guérin started his career early on while tampering with his brother’s band sound system (1970).
Naturally his interest grew rapidly into the recording industry and after several platinum records (1980-89), his appetite grew stronger for more diverse challenges. While doing albums, commercials, some music to- pix he was making creative use of MIDI, SMPTE, Synclavier, modifying and combining layers of synths, patches, drum machines, he was already doing what would be later known as “sound designing”. Doing sound for the screen gave him instant gratification, armed with his new tools he foresaw that the film and television technology was finally outgrowing its dinosaur era, so he shifted to mix-to-pix, doing commercials with clients such as Toyota, Amnesty International, British Airways, Honda, Kodak, MacDonald, Volkswagen, etc.
companies (1977-80).
After his studies at the Institute of Audio Research in New York City he went from quality control for a high speed duplication plant (1975-77) to P. A.
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